Dear friends and readers,
I’ve not given up or put away my review of the new Cambridge Finch volume altogether. I’ve been reading (for example) Gillian Wright’s Producing Women’s Poery, 1600-1730: Text and Paratext, Manuscript and Print: a study of women’s poetry as the texts appear in the manuscripts across this era. I’m going to contribute the following talk/paper (maybe 15-20 minutes worth) at the coming EC/ASECS conference (in person! at Winterthur museum, Wilmington, Delaware) for a panel called Material Matters, meant to concentrate on the material phenomena surrounding or part of texts (including the lodging the poet writes in):
“From Beginning to End of the Long 18th Century: Anne Finch’s poetry in manuscripts and Austen’s unfinished and finished fiction in manuscripts (for a panel called Material Matters)
At the opening (so to speak) of the era, that is, the later 17th century, and the close, the early 19th, we can now study most of two writers’ manuscripts in recent edited editions from Cambridge. I will argue there is much to be learned from reading these two women’s manuscripts in both the printed forms, if one can get hold of the ms in some form other form (facsimile, digitalized), or (as it were) raw (the ms itself in a rare book room). The attitude of mind of the authors to the work, her perceived status, the attitudes towards her of those living directly around her come out. Dating, visible processes seen on the pages, emerge from behind the curtain of formal publication. I will also show that over this long haul little changed in women’s status (here both in effect high elite) and how that shapes the works I discuss too.
This talk/paper also comes out of the work for the review I did for The Intelligencer of the Cambridge Edition of Austen’s Later Manuscripts (Everything Else); for that one I also read the Juvenilia in manuscripts volume. I studied older manuscripts, pre-18th century, and more recent ones, individuals and miscellanies.
Amanda Vickery expatiating to the viewers over a manuscript book of letters (At Home with the Georgians)
That is, if I can get there and find ways to and from the inn to the conference sessions at the museum it’s to be held in. For some this would be nothing. For me, it’s a lot to get past. I get lost, it’s a long way, and I can no longer drive in the dark.
Ellen
Grand merci pour vos travaux considérables…. Je dévore vos articles et publications avec Gourmandise car j apprends énormément en vous lisant….
Longue vie à votre blog et à vos travaux.🙏❤️
Bien à vous
Isabelle (Limoges, FRANCE)
Comme c’est gentil. J’apprécie beaucoup votre commentaire. Ellen
[…] time vowing to produce the review at last. (I’ve made arrangements to try to give a paper on manuscripts left by Jane Austen and Anne Finch at EC/ASECS this October.) The last two days I’ve pulled the inbuilt calendar in Woman in […]
[…] Last May I announced that I would be going (once again) to the East Central region meeting of the American 18th century Society and that a proposal for a paper I was going to write over the summer had been accepted. Well I did write said paper this past August, but as bad luck would have it — and my own inabilities in the area of driving and traveling — I was prevented from going. This is not the first time this has happened since Jim died. See my Jane Austen and the Arts blog, the paper Ekphrastic Patterns in Austen […]